Hate to post and dash, but I’ve got to turn in before midnight – not because I’ll turn into a pumpkin but because my brain will be like mushy pumpkin tomorrow if I don’t get some sleep.
I managed to throw a couple of pots yesterday morning. I let them set up for a few hours, exposed to the cool temperature. By the time the dinner dishes were washed, they were leather hard and ready for me to trim.
My favorite is the short one that’s tapered at the bottom and flared at the top. Which of the two do you like most?
“Nothing is unreal as long as you can imagine like a crow.” – Munia Khan
Dane and I are home from a relaxing and much-needed vacation up north, commonly referred to as “the U.P. (Upper Peninsula).” As the novel coronavirus has raged in our great state, we’ve sheltered in place and have mostly kept to ourselves. I say “mostly,” because I’d reported to my physical work place every day of the work week, save for a day here or there when I worked from home. It’s true, there’s no rest for the wicked … or, more aptly, the weary. COVID-19, you see, has demanded my full attention at work since March 10. Relentlessly. Unceasingly. And I’ve embraced every moment, because the work my colleagues and I do is fulfilling and meaningful. Dane and I committed to following our governor and county health officer’s masking, hand-washing, distancing and sheltering-in-place orders. After seven solid months of challenging and rewarding work, I was in dire need of a break.
In September, Dane and I decided we needed to plan our annual Get Out of Dodge Anniversary Getaway or resign ourselves to a getaway-less year. He searched for hotels in the U.P., which resulted in exorbitant per-night rates. With COVID-19, tourism in our state (along with everything else) had waned, and the hotel industry was scrambling to regain lost revenue. Dane asked his friends, Roger and Lee, who own an adorable two-story lake cottage in St. Ignace, if they would consider renting “The Tree House” for a week.
“If you bring the furniture in off the deck, throw out all the condiments in the refrigerator and unplug it, you can stay there for as long as you want,” Roger said. He refused to allow us to pay for our stay.
It was about a 3.5-hour drive. We arrived shortly after 6 p.m. The house was cold. Dane opened the blinds and let the sunshine in, then wandered down to the basement to turn the water on. He read the owner’s manual for the gas stove, and the house started to warm up. I spent the next couple of hours stripping off the bedsheets in the master bedroom and washing them; organizing our toiletries, electronic devices and clothing; cleaning the stove, countertops, tables and bathrooms; sweeping and wiping down the kitchen floors; and freeing all the leaves from the foyer and the garage entrance. Dane helped me remake the bed. The Tree House gave off very cozy, well-lived-in vibe.
Our first night in St. Ignace, we made a grocery run to Family Fare. It was late, so we grabbed dinner at Clyde’s – an old-fashioned drive-in restaurant on U.S. 2. I ordered the whitefish dinner and Dane ordered a burger. We each got a milkshake – his was chocolate malt, mine was strawberry. Fifteen minutes later, we were back at The Tree House, sucking air through our straws. We sat at the small kitchen table and ate our entrees, which were forgettable … but the milkshakes, I confidently proclaimed, we would indulge every single day of our vacation.
Our unspoken goal was … to do nothing. By “nothing” I mean, we placed no expectations on ourselves or each other. We had nothing specific that we had to do and nowhere in particular to be. If we wanted to sleep in the entire morning (Dane did), there was nothing and no one to stop us. I got up before the sun each day – by habit rather than by plan, and I couldn’t wait to fill my mornings on my terms … beginning with a cup of sugar-sweetened hot tea and a healthy splash of whole milk. Breakfast was a slice of toast with butter and jam, a couple of scrambled eggs or a handful of peanut M&Ms. I watched the sun rise as I knit, read the news, caught up with friends on Facebook and Instagram, listened to a podcast or Glenn Gould’s Bach: Goldberg Variations, BWV 988 – accompanied by the rustling of trees in the wind. We went for long walks on the beach, skipped stones, held hands and thoroughly enjoyed each other’s company.
I cooked twice – spaghetti (and milkshakes from Clyde’s) for dinner on Day 2, which was also lunch and dinner on Day 3. Day 4, lunch was a pastie from Lehto’s on a ferry to Mackinac Island; dinner was beef stew (bought a beautiful chuck eye roast – an excellent, leaner, more tender and less common cut of chuck). We had McDonald’s for dinner on Day 5, and another round of milkshakes. Leftover beef stew was lunch on Day 6, and before we knew it, we were homeward bound.
It was a wonderful escape – a desperately needed break. Home, they say, is where the heart is. No matter where I go, my heart remains with the people I love. When I’m having a great time, I miss the kids, because I want to share the experience with them. I missed our firm bed and the familiar comforts of our home. I missed drinking water straight from the tap, and washing my hair and cooking with municipal water. In fact, I went six straight days without washing my hair at all, because the tap water was extremely hard and I just didn’t want to bother. I forgot to pack my pottery works in progress, so I missed the rejuvenating and creative benefits of my clay play.
I’m going to pack a go kit for my throwing, trimming and sculpting tools. I’ll chuck it in the hatchback of my Subie II, along with a bag of clay. I’ve also got my eye on a sweet little portable pottery wheel – the Shimpo Aspire. It’s 25 lbs. with a 1/3-horsepower motor, capable of handling 20 lbs. of clay.
I’ve been working on little fairy houses (for fairies, frogs and toads), which will go in the fairy garden next spring. I’m not sure yet, but I think I’ll do a Cone 6 firing for them, but need to make some test tiles first.
For the kiln at the Red Barn in Williamston (where my studio is), we potters are making kiln gods. I, on the other hand, made a kiln goddess to watch over our pots and ware while they’re being fired. “Protect all within,” is inscribed in her base. Elements of my original warrior goddess are present – she’s tall, with an elongated neck, representative of her inner height, strength, power and pride. Familiar spiral rosettes are pressed into her shawl but also randomly added as reliefs – she is feminine and a feminist. Unlike goddesses my traditional goddess, however, she is largely unclothed and bald – her nakedness represents honesty, truth and acceptance.
I looked forward to going home after a restful getaway, so that I could work on this unfinished projects, which calms and fulfills me in a very different way.
Since COVID-19 arrived like a storm in Michigan, my day job has pretty much consumed my every waking moment, Monday through Friday. With the exception of very few Saturdays and Sundays, however, I have vehemently guarded my weekends as time for me, from sunup till sundown, to focus on activities that I love or need to take care of, including … especially … time with my husband. We go for long walks each night unless I’m at work super late. He reads me the latest headlines of the day to get me caught up on the political shit-show that’s been brewing. He and his dad built me a sweet little vegetable garden, and I filled four large City Pickers, four Grow Bags and every available garden space with additional goods – yellow peppers, Thai peppers, banana peppers, shishito peppers, San Marzano and Amish Paste tomatoes, grape tomatoes, tomatillos, red and yellow onions, chives, shiso leaves, lavender, basil, cilantro, oregano, dill, lettuce, beets, eggplant, cabbage, broccoli, kale, cantaloupe, parsley, sage, rosemary and thyme. We planted three Yoshino cherry trees, a fig tree and a peach tree. I canned tons of jams and chutneys, salsas, pickles, relishes and sauces. I’ve been baking bread, making homemade tortilla from masa and learning new recipes – my favorite is Bang Bang Beef, which is mouth-watering delicious; and I’m in the middle of knitting a tried-and-true one-armed wrap called The Marley. And wishing I could play with clay.
Since fall 2019, Dane and I have been working hard to manage our home, repairing broken things and getting rid of junk that’s accumulated in the basement over the course of our 20 years in what, when we moved in, was a brand-new house. Most people have a junk drawer. Having raised four children and accommodating all of our various interests, we have a junk basement. Yup, the whole thing.
I decided to move my pottery studio into the basement while COVID-19 ravaged our county and executive orders precluded public gatherings.
But junk can be found throughout the house. Therefore, in early spring, I tackled my closet and purged long unused items and donated two shopping carts mounded with gently used business suits, dresses, casual and active wear and shoes. There was none of that self-introspection as to whether items brought me joy, just a lot of sorting, folding, chucking and dusting. As a reward, Dane installed a lovey closet chandelier and a matching chandelier in our bedroom. I hired a sustainable junk hauler to dispose of two old recliners, an old coffee table, Dane’s sweet Grandma Pugsley’s older-than-the-hills side table with an attached lamp, old lamps, old pieces of wood from an old Ikea bed (forgot to give him an old broken sewing machine, old chest of drawers, old plastic fencing and other old, useless items). He even took our piles of cardboard boxes and styrofoam that we were saving for recycling centers.
In late May, Dane and I successfully (finally!) moved my KM1027-3 Skutt Kiln (which I’d purchased used on New Year’s Day 2019 from a divorcee in Ypsilanti who was moving to The Villages in Florida) from our second-floor office into my basement studio and hooked it up without much ado … the bonus is, it worked, despite having been disassembled and idle for nearly two years and our going by feel to put it back together. By June, we’d done all the necessary prep work to allow our contractor to install my Utilitwin sink, Bailey Air Cleaner system and my Skutt’s Environvent2 system, only to have him go completely dark after all that work. Missing. In. Action.
I get it – COVID-19 happened, and suddenly the construction industry, like many other businesses, was forced to close, and as soon as our governor slowly reopened the state, all the contractors had to catch up on backlogged projects. Dane reached out by email, phone and text. No response. We figured he’d say, “We’re three months behind, but we can get to you in September or October” or a “Yeah, we’re not interested.” Maybe something happened to him? Maybe his business didn’t survive the shutdown? Maybe he got COVID-19? Maybe … well, anything is possible, and it’s all very unnerving.
Later in May my sister and Denver Daughter (Hännah) visited. They descended on my kitchen like Marie Kondo. My husband and kids mostly stayed out of the way, because it was kind of scary. I dropped $1,000 on new shelving units, large storage bins, small storage containers, shelf organizers, drawer organizers, pullout racks for cupboards and cleaning supplies.
My two LA daughters – Los Angeles Daughter Jenny and Lansing Area Daughter Sachi – assembled and installed the shelves and the drawer organizers, and everything had a place. We sorted each adult offspring’s refrigerator and pantry items in their respective bins. The countertop was completely cleared of any evidence of life. Seldom-used Chinaware was stored; anything that was chipped or faded was tossed (Jenny objected and reclaimed them for herself) or replaced. We sorted into storage, donation, recycling bins or the Granger (Dumpster) whatever we laid eyes or hands on. Expired dry and canned goods were tossed, beans and dried fruit were poured out of torn bags into glass containers. This, my sister proclaimed, was my birthday present, and I was inspired, thrilled and exhausted.
In June, Dane and his dad built me a small but charming vegetable garden, and I filled it – along with four City Pickers, four jumbo-sized Grow Bags and huge old pots – with lettuce, broccoli, kale, cabbage, dill, cantaloupe, cilantro, chrysanthemum, chives, lavender, basil, shiso plants, green and wax beans, sweet peas, green peppers, shishito peppers, Thai peppers, banana peppers, red and yellow onions, eggplant, grape, San Marzano and Amish Paste tomatoes, tomatillos, parsley, sage, rosemary and thyme. We gave the Magnolia tree a much-needed pruning. We battled deer, chipmunks, groundhogs, rabbits, cabbage worms, scale, blackspot, slugs, grubs and bugs of every kind.
I grew pink geraniums and vines, and the family deck was a welcome refuge. I started a fairy garden in a shady area on our property. One day, I hope to have grandchildren who’ll enjoy it on hot summer days. Throughout the summer months, I canned jams (strawberry, blueberry, peach, fig), chutneys (fig and onion), sauces (tomato, peach habanero), salsas (peach, salsa verde), relishes and dill pickles. They now fill some of the shelves in our basement and our bellies. Additionally, we’ve enjoyed fresh-from-the-garden vegetables.
I learned to make homemade tortillas from masa; took turns making dinner with my husband, son, daughter; learned to make Bang Bang Beef (so delicious), spicy vegetarian burritos and honed my bread-making skills – enough to rationalize the purchase of a bread lame.
We’re still looking for an electrician, HVAC professional or general contractor who can install my 200-lb. air filtration system and EnviroVent. I’ll now add to that list a gas stove. There’s no shortage of things that need to be taken care of (and I haven’t even begun waxing about my transit job yet, which is normally quite demanding. COVID-19 has amped up the demand quotient exponentially).
In September we planted three Yoshino cherry trees, a fig tree and a peach tree. We’ll need to dig up a dead maple seedling and care for a mulberry tree/bush, which we translated from the vegetable garden. We cleared dead brush and suffocating frost grape vines from hawthorn that grows around the fairy garden.
Last weekend, I started preparing my vegetable gardens for winter. Tomatoe vines were cut back, unless they were still producing fruit. City Pickers and terra-cotta pots were emptied and disinfected. I gutted Sachi’s old playhouse, which her grandpa lovingly built when she was about 5 years old. She refused to use it, because of the creepy-crawlies in the dark places, so I use it as an adorable garden shed. I recycled a bunch of old plastic containers that once held potted plants, organized my shovels and rakes, swept out all the leaves and brush, and added them to our compost pile; rerolled landscaping and hardware cloth, and rolls of edging. Before the first snowfall, we’ll wash the house, clean the gutters and, likely, find more things that need tending.
Life is a balancing act. COVID-19 makes achieving balance so much more challenging, but we’re learning that we can achieve it if we focus and remain disciplined. With my sink installed, I’m back in my studio, making pots and goddesses on order for old friends and new, for my children and my family. I used to spend hours and days on end in my studio. Now, I get up in the wee hours when the household is still fast asleep, quietly slip downstairs, turn on the radio to listen to news, a podcast or music, and immerse myself for a few hours in clay work. Then, as my honey or kids start to stir, I wrap up and spend the rest of the day with them.
We remain safely masked and isolated, completely avoiding those who do not reside with us. COVID-19 isn’t going anywhere anytime soon and, given that the Michigan supreme court has challenged Big Gretch’s (our governor) executive powers, we’ll take extra precautions to stay and keep others safe. Doing the things we’ve been doing and, in the process, rediscovering our peace, joy, happiness and love is our way of shooting COVID-19 the bird.
So, from this old Crackin’ Crow, f*ck you, COVID-19 and the horse you rode in on.
Like much of the rest of the world, Michiganders have been under a governor-mandated stay-at-home quarantine. In Ingham County, the first two pre-emptive-positive cases of COVID-19 arrived March 10. Individuals were permitted to leave their residences for life-saving and life-protecting purposes, and critical infrastructure workers were permitted to work.
As a public-transit professional whose reporting employees are answering calls from members of the public wishing to book trips for dialysis or chemotherapy appointments, as well as trips to grocery stores and work, I too am reporting to work as a mission-critical employee.
Weekends allow for time with my family – and opportunities to dabble in clay, but it’s all I can do to get out of bed, I am so exhausted. Dane dotes on me, preparing a lovely cup of hot tea each morning. just the way I like it, and breakfast in bed. So for now the clay awaits a time and day when I my mind is clear and settled, and I am better able to take advantage of its rejuvenating qualities. For now, my heart aches and my mind is shocked by this most devastating and perplexing virus; its horrifying trail of destruction.
I’ve said before that I am constantly juggling my day job as a marketing/PR professional and my night job as a clay artist, not to mention the everyday demands of my family and home. I’m not complaining; I love my life – the blessings and the challenges (there’s a lot of both but many more blessings).
Since early January, my CATA team and I have been busting our arses to address critical projects, including a community report to nearly 140,000 residents about what we achieved in 2019, prior to our millage renewal appearing on the ballot tomorrow; our 2020 census campaign launch, which featured Gov. Gretchen Whitmer, Statewide Census Director Kerry Ebersole Singh, representatives from our congressional legislators (Sens. Debbie Stabenow and Gary Peters and Congresswoman Elissa Slotkin); three state legislators (Sen. Curtis Hertel Jr., Rep. Sarah Anthony and Joe Fedewa, representing Rep. Angela Witwer); City of Lansing Mayor Andy Schor; and my boss, CATA CEO Bradley T. Funkhouser, and our board chair, Nathan Triplett – along with many dignitaries in the audience, the entire Capitol press corps, two government television stations and our two local TV broadcast news – WLNS TV-6 and WILX TV-10. It was a worthy feat, and my employees and I accomplished it all together as part of a team.
Tomorrow CATA will kick off the relaunch of a downtown route (Route 17 Grab & Go Express) with fanfare and a remote radio broadcast. Tuesday, we’ll watch with confident hope as voters support our millage renewal. Then, I will switch gears to work on communications for our audiences – internal and external – about how coronavirus (COVID-19) could impact operations and how we will address safety concerns related to the virus. We’ll do that as contributors to a team.
On weekends, I’ve also been busting my ass to clean out the basement, where we’ve accumulated 20-plus years of treasures and junk. My goal is to organize and allow my artist son to carve out his own studio space. He, my husband and I have made a lot of progress over many weekends, hauling stuff upstairs, outdoors and into the dumpster. It’s hard to see our progress, because we still have a way to go, but we’re getting there. Once we sweep, wash and disinfect the basement, our contractor will return to install some electrical outlets, my massive 200-lb. commercial air-ventilation/purification system and a utility sink, which will make clay play a whole lot more enjoyable. I couldn’t do it alone, and I am grateful for my boys’ willingness to roll up their sleeves and help me with an altogether different kind of dirty work.
I write this entry while watching the MSU Spartans battle The Ohio State Buckeyes, having just remarked about the Spartans’ hustle and teamwork. Our beloved Spartans won 80 – 69, clinching its share of the Big Ten title.
Teamwork makes the dream work, the saying goes.
Today at the Red Barn, our membership met for its quarterly meeting. I missed the last one due to a work commitment, so it had been a while since I’d seen most of my fellow potters. It was so nice to see everyone’s friendly face and to catch up.
My good potter friend Jane Hildebrandt and her husband Max are in the process of buying the Red Barn from the current owner, Ruth Zimmerman, who is moving to Traverse City. It was a bittersweet gathering wherein we took time to celebrate Ruth’s good work to advance pottery in our region. We also discussed our upcoming spring kiln firing; the opportunity to invite other non-Red Barn potters to fire ware; teaching potters who have expressed an interest in teaching others about this art form; creating test tiles for a Cone 6 reduction firing, scheduling raku firings; reaching out to the Greater Lansing Arts Council (where I serve on the board of directors and chair the Artist Committee) as a resource; and educational and funding opportunities for Red Barn members, along with potters in and outside the community.
There’s a member in our group who tends to rub me the wrong way. Always. She’s extraordinarily confrontational. My problem? I despise bullies; it’s one battle I simply cannot acquiesce to. One’s desire or need to be perceived by others as more relevant and more powerful but utterly failing to back it up with substance, character or fact – makes me dig in my heels and prepare for battle.
I chair the Artists Committee for the Arts Council of Greater Lansing. It’s an effort to identify the needs of local artists and communicating how the Council can be a resource. Our dialog is positive. The exchange of ideas is marked by a high level of respect, enthusiasm and excitement. We don’t cut each other off midsentence. We don’t dismiss others’ contributions to the dialog. We consider them thoughtfully. We smile – genuinely – and encourage as much sharing as possible.
The tone of the meeting today was, at times, tense. She tends to be opinionated, freely and dismissively pooh-poohing ideas offered by others. My tendency is to bark back. A nasty encounter with this woman last year was the primary reason that I’ve spent far less time at the Barn and more in my home studio. Today, as I weighed in on ideas, she repeatedly argued against my position and my contributions to the dialog. It reminded me why I’ve stayed away.
But staying away makes clay play lonely, and that makes me less productive. I find that I hurry to finish my work, instead of getting blissfully lost in it. Of course, at the Red Barn, I miss my family, who I rarely see or spend quality time with, because of work. All I know is, life is short and we can choose how we interact with others, especially those who mean so much to us. We can choose whether we will work as part of a team or in isolation. We can choose whether we cut people off or listen. We can choose to build walls and close others out or let them in; to be misunderstood or to try to understand. We can choose to reject the kindnesses of others or … to be kind.
I’ll try to be a better person. I’ll do my part to contribute to our clay community – to the building of a team. It won’t be easy for me to restrain myself when bullies rear their heads, but my contribution and reaction to the exchange is all I have control over.
In my last post, I wrote about these cool Styrofoam hump molds I was making. I made some progress, but I’m still trying to perfect this process. For the first three pieces – two oblong pickle plates and one 11-inch square plate – there were some areas where the Styrofoam poked through the dried plaster when I smoothed the surface with drywall screen. I’ll have to try to patch those areas, but because it’s been a concern with each of the three molds I’ve made thus far, I’m afraid it may be more trouble than it’s worth. Perhaps the Styrofoam hump requires a thicker coat of plaster? Until I figure it all out, I still have several un-plastered Styrofoam forms to coat.
I’ve also been working on some tapas or luncheon plates, each 8.25 inches in diameter. I threw eight of them a couple of weekends ago, trimmed them and – for the first time – opted to go without a foot ring. I brushed them with a white slip, and then embossed each with a handmade ginkgo-nut tree-leaf stencil.
Last weekend, I threw two 9-inch plates, which I’ll trim this weekend with a foot ring. I’ll likely make more of these so that I have a complete set at some point, and then throw some dinner plates to 12 inches to match.
Today I will make some test tiles from Laguna 900 and B-Mix for a matte-grey glaze that I made last year using hardwood ash. I will test them in both reduction (firing to Cone 10) and oxidation (firing to Cone 6). If they turn out the way I hope they will, I will use this glaze, layered over another, on my plates. Oh, what fun I am having!
I’d also like to test a clear glaze over the underglaze test tiles I made just before the holidays last year, which Anny Unbehaun so kindly bisqued last Sunday before she moved out of her studio at the Red Barn Pottery. Her hike to Williamston from Ann Arbor just got to be too much for her. We’re going to miss her.
I’ve also made good progress on my basement studio but still have a long way to go. Last Sunday, with Dane’s help and muscle, we fashioned a wedging table from our daughter’s old dining table, half-inch Hardie Backer board and a partial tube of Goop.
We continue to haul old junk out of the basement. There’s a lot of unhealthy dust down there – not in my studio space, which I’ve carefully cleaned. I am being extra-careful not to disturb it without wearing a P100-grade respirator. My old 3M respirator was too big for my head, so I replaced it with a size-small 3M, which not only fits better but is far more comfortable.
Slowly but surely, I am getting the basement converted into an artists’ studio so that my son can also move down there and set up a space to paint. Unfortunately, the process is moving more slowly than not, because after putting in a hard week at my day job, I’m exhausted and just want to relax by throwing or hand-building clay.
This weekend, Dane and I will finally move my Skutt kiln out of our home office into my studio. I purchased it on New Year’s Day last year, so it’s been sitting up there, hogging up office space for 13 months. I don’t know if I’ll even remember how to reassemble it, but it needs to happen. I just hope our backs hold up to the weight of each part, especially the lid. Well, we moved it from the original owner’s home, then from my car to the office. Guh! Why didn’t we just move it all the way into the basement, right?
And, as soon as I finish clearing out this large area next to my wheel, we’ll have a general contractor come out and install approximately four to six more electrical wall outlets and my heavy-duty commercial-grade air-ventilation system. This should greatly mitigate the presence of particulate matter in the air and studio, which is quite unhealthy but otherwise inherent to a clay studio. I want to make sure the air we breathe at home is clean and safe.
Finally, I was going to purchase The Cink for my studio. The lowest retail price that I’ve seen for it is $2,195 from Diamond Core Tools. While I do plan to invest in my studio to make my work space as efficient and enjoyable as possible, I’m concerned about The Cink’s inability to emit both cold and hot water. That’ll be problematic for me during the winter months.
I got to talking to my boss about this the other day (where clay play helps me maintain my sanity, fixing up his house helps him relax). He suggested I buy a utility sink, tap into my home’s hot- and cold-water lines, add a clay sink trap kit and drain the filtered water through my sump pump – all of which would save me hundreds of dollars.
Today at Moosejaw in East Lansing, Sara – sales associate extraordinaire – said, “I have a tendency to use the word “warranty” like a verb. For example, I say, I’m going to warranty my Cerium.” In addition to her outstanding customer experience skills, she gave me permission to use nouns as a verb – so today’s topic is humping … you know, as in making hump molds.
This is my first post of the new year, and it’s a been a while since my last post, because I have had an incredibly busy but very wonderful holiday season. Am I ready for 2020 and all that it has in store for me? Bring it, baby!
In December, just before Christmas, we at the Red Barn Pottery – where I rent a small studio space – prepped, stacked, fired and then unloaded the big gas kiln. I was surprised to learn that I fired more in cubic inches than my fellow potters, especially after having worried that I hadn’t contributed my fair share and would disappoint my awesome potter friends. Zoiks!
It was a great firing. Having spent the bulk of my time working in my home studio, it became glaringly clear that I missed the Red Barn potters – their friendship and companionship, their brilliance and tendency to inspire – all of it. Working at home alone is … well, lonely. It’s wonderful to have my own space at home, but also wonderful to have a place where like-minded artists can exchange ideas, chat about whatever comes up; laugh, advise, help one another and fill voids.
On that happy note, I wish everyone a happy, safe and prosperous new year. Oh, and please check out my pots from the latest kiln firing – tons of great information to apply to my next firing.
Raku-fired a goddess yesterday. She’s crafted from Raku clay that came from Rovin in Ann Arbor. The cranberry glaze didn’t quite turn out the way I’d hoped it would, but I love the blue in the turquoise in the patterned squares.
Happy Thanksgiving, everyone! Hope you’re all in a happy place, celebrating in meaningful ways all that you are blessed with and thankful for.
Today, Dane and I celebrated Thanksgiving with his family. Of course, we Facetimed my side of the family as well. I’m so grateful for the whole lot of them – my husband, my children; my dear parents and siblings; their significant others and children; my in-laws and all of my cousins. We’re a huge and diverse clan whose celebrations always include the making and bringing of food.
One of the things I love about food – especially those of the potluck variety – is that it must be transported or served in a vessel. I make vessels!
My youngest daughter, Sachi, and I cooked together this morning – she made roasted Brussels sprouts and roasted carrots; I whipped up some mashed potatoes. I am thankful that she and I had that time together, chopping, cooking, mixing, tasting, mmm-ing, plating and washing dishes. It reminded me of my time in the kitchen with my mother who, I’ve decided, I want to be like when I grow up, because she is so badass. At 86 years old, she’s sassy, brassy and energetic (she does Zumba, weightlifting, Body Pump, high-intensity interval training and pilates). She is amaza-zing, and I’m so thankful for her and all that she taught me. Everything I’ve learned from her has been a gift to my adulthood and parenting.
I’m also thankful for my health. Since mid-October I’ve been bouting the blahs. First, the skin around my cuticle on my left middle finger started itching, my nail started lifting off of my finger and breaking off. I didn’t know what was going on with it, so I kept an eye on it.
On Oct. 30 I got my annual flu inoculation. I immediately started feeling a tickle in my chest and by mid-afternoon, I was coughing a dry, unproductive hack. By evening, my cough was incessant and my throat was sore. I gargled with warm salt water several times that night and by morning, my throat felt rough but better. The coughing continued.
After work the evening of Nov. 1 – a Friday – I went to urgent care to have my finger and cough looked at. Doc said I had a bacterial infection in my finger – or paronychia – caused by a manicure I was given, coupled with long and recurring exposure to water, somewhat inherent to making clay pots. He prescribed two doses of Keflex a day for 7 days to take care of my finger. These are horse-sized pills, mind you, and they didn’t go down easily. He listened to my lungs and said I had bronchitis. “It’s a virus, so you’ll just have to let it pass. It’ll take about two weeks,” he said. I asked if I was contagious. “No need to stay home from work unless you want to,” he said. “Yes, you’re contagious, but there’s little risk as long as you keep to yourself, wash your hands frequently and don’t cough on anyone.” I didn’t. I mean, yeah, I washed or sanitized my hands and did my best to keep to myself, but I didn’t cough on anyone … at least not that I know of and, certainly, not intentionally. There were times when a cough unexpectedly erupted, but not on anyone (again, that I know of), thank God.
Tuesday, Nov. 5, I was still feeling poorly – worse, in fact – so I worked from home and went back to urgent care. My bronchitis had worsened by then and I had some major drainage oozing down my throat. My lymph nodes were inflamed, and I was experiencing a throbbing, constricting pain in my throat. Doc told me to stop taking the Keflex; it had done its job on my finger but wasn’t designed to help with the bronchitis. For that, he prescribed Zithromax. The coughing subsided, but the throbbing constriction in my throat continued, so I booked an appointment the following day with my primary care physician, who referred me to an ENT (I’m still waiting for an appointment) and recommended that I start taking an over-the-counter antihistamine. The appointment is pending, but the antihistamine seems to have helped, along with a daily dose of acid-reflux meds.
It’s been almost two weeks since I was feeling poorly and now, I’m just exhausted. I’ve gone from the blahs to the blehs. And to banish the blehs, there’s nothing like throwing clay, so that’s what I’ve done these past few days, working on concepts.
A few weeks ago, I made a couple of “talking bowls,” a design I learned from Maryland Potter Mea Rhee of Good Elephant Pottery. I decided to use this pot to test a hanafuda card design. I started by carving chrysanthemums and leaves in my pot at the leather-hard stage, outlined in slip. When the pot dried to the point where I could really hold it, I added an electric-blue underglaze over the carvings, then wiped it all away, leaving behind faint blue lines in the carved areas. I layered a variety of underglazes to “paint” the flower petals, leaves and stems, and got accustomed to my paint brush. I’m still considering whether to add some reds and blues before I bisque the bowl, after which I’ll add a clear glaze.
I also threw a cup using a design I love. Still, I’m going to keep refining it … because why not, right?
You can see that I’m still making a lot of single pieces. While I can do production pottery (and at some point I plan to), I am still searching for my voice as a potter; still conceptualizing. I haven’t landed anywhere yet, with the exception of my Warrior Goddesses, but even they continue to evolve. Anyway, more to come, y’all, so stay tuned here for developments.
Lastly, I cranked out a slab of clay and compressed it over a hump mold – an idea I copped from Bill van Gilder, and then gave it my own spin. Unfortunately, I don’t like it as much as I’d hoped I would, but it’s still early. I’ve got some ideas that may give it a little more interest.
Finally (yeah, I know I said “lastly” in the previous paragraph, but I meant “Lastly, I worked on this plate” :-P), please accept my personal invitation to LIKE my post and FOLLOW my blog at crackincrow.com. On Dec. 31, 2019, one of my followers will be randomly selected to receive a Lolo pot, with my deepest appreciation for giving me and my blog a chance. If you actually do follow me, I’ll at least know you read the whole post!
Thank you – here’s to an awesome Thanksgiving for all, especially those who are less fortunate. Wishing you the blessings of the holiday seasons.